Vale, 1922. Baritone with piano/Baritone and orchestra (1928).
Text : Karl Steiler.

Berückung, 1924. Soprano with piano.
Text : Richard Dehmel.

Die Nichtgewesen, 1925. Soprano with piano.
Text : Isolde Kurz

Jannette, June 3, 1925. Soprano with piano.
Text : Julius Bierbaum

Kommst Du nicht herein, February 1926. Soprano with piano accompaniment.
Text : Karl Kobald

Du, June 1926. Soprano with piano.
Text : Rudolf Paulsen

Es spinnt sich ein, August 1926. Baritone with piano.
Text : Rudolf Paulsen

Komm heil'ge Nacht, April 1927. Baritone with piano accompaniment.
Text : Fritz Böhm

1. Wenn der Abend leise kommt, March 1927.
2. Meine Seele fliegt zu Dir, May 18, 1927
3. Warum weint am Uferrand, May 1926
4. Waldfrieden der Einsiedel, spielt leis auf seiner Fiedel, 1927.

Immer leiser wird mein Schlummer, June 1927. Soprano with piano.
Text : Hermann Lingg

So regnet es sich langsam ein, August 1927. Baritone with piano.
Text : Cäsar Flaischlen
English translation "Last Rose".

Included as number five of the unpublished collection "Liedercyklus".

Der Tod wird uns, [August 2, 1927/[March 1928]. Baritone with piano/Baritone and orchestra.
Text : Calé

Der schwere Abend, July 30, 1928. Baritone with piano.
Text : Nikolaus Lenau

1. Der Mond steht da
2. Eine goldene Sichel
3. Gross über schweigenden Wäldern
4. Durch die Abendwolken

Du, October 3, 1928. Soprano with piano.
Text : Ricarda Huch

Sehnsucht, November 1928. Baritone with piano accompaniment.
Text : Johannes Schlaf

Wiegenlied, December 1928. Soprano with piano.

English text written under German - orchestral version.
This is the earliest of three Wiegenlieder: a second is included in the "Kinderlieder (III) and a third occurs in the opera "Job."
This first Wiegenlied reappears in instrumental form in the suite "To the Promised Land" [see III B. ORCHESTRAL COMPOSITIONS. Suites, no. 6].

Vöglein Schwermut, April 1929. Alto with piano.
Text : Christian Lorgenstern

Kein Seufzer spricht von meinen stummen Schmerzen, May 1929. Soprano with piano.

Der Briefmark, January 1931. Soprano with piano.
Text : Joachim Rengelnatz
Included as number nine of the unpublished collection "Liedercyklus".

Ja, ich weiss woher ich stamme (Ecce homo), January 1931. Baritone with piano.
Text by Friedrich Nietzsche

Lass mich in deinen stillen Augen ruh'n, January 1931. Soprano with piano.
Text by Max Dauthenday

Die Sonne sinkt, January 1931. Baritone with piano.
Text by Friedrich Nietzsche

Grabschrift [Epigramm], February 1931. Baritone with piano.
Text by Gotthold Ephraim Lessing
 Included as number thirteen of the unpublished collection "Liedercyklus".

Der Tag erwacht, February 1931. Soprano with piano.
Text by Trude Jellinek

Die Du so fern bist, March 1931. Baritone with piano.
Text by Otto Erich Hartleben
English translation by Gertrud Zeisl. Included as number two of the unpublished collection "Liedercyklus".

Seufzer der Sehnsucht, March 1931. Soprano with piano.
Text by Martin Graf
Included as number one of the unpublished collection "Liedercyklus".

Wanderers Nachtlied, 1931. Baritone with piano accompaniment.
Text : Johann Wolfgang Goethe

Der Fromme, 1931. Baritone with piano accompaniment.
Text by Wilhelm Busch
Arranged also as duet for soprano and baritone.
Included as number six of the unpublished collection "Liedercyklus".

Komm und reich mir deine Hand, 1931. Soprano with piano accompaniment.
Poet unkown.

Letzter Tanz [Ballade], 1931. Baritone wih piano accompaniment.
Text by Emil Prinz von Schönaich-Carolath
Included as number three in the unpublished collection "Liedercyklus".

Ich kann es nicht vergessen, 1931. Soprano with piano accompaniment.
Text by A. Strodtmann

Kater, 1931. Soprano with piano accompaniment.
Text by Alfred Walter Heymel.

Die Nacht, June 1931. Baritone with piano accompaniment.
Text by Hermann von Gilm.

Morgenlied, July 1931. Baritone with piano accompaniment.
Text by Joseph Freiherr von Eichendorff.

Das trunkene Lied, July 1931. Baritone with piano accompaniment.
Text by Friedrich Nietzsche.

In der Nacht, August 1931. Soprano with piano accompaniment.
Text by Joseph Freirherr von Eichendorff.

Vor der rechten Schmiede, September 1931. Baritone with piano accompaniment.
Text from "Knaben Wunderhorn".

Abendstimmung, November 1931. Soprano with piano accompaniment.
Text by Kühnel.

Regen, December 1931. Soprano with piano accompaniment.
Text by Johannes Schlaf.

Stille Nacht, December 1931. Baritone with piano accompaniment.
Text by Richard Dehmel.

Arm Kräutchen, ca. 1931. Soprano with piano accompaniment.
Text by Joachim Ringelnatz.

Ein ganzes Leben, ca. 1931. Soprano with piano accompaniment.
Text by Joachim Ingelnatz.

Der Fremdling, March 1932. Baritone wiht piano accompaniment.
Text by Charles Beaudelaire.

Die Arbeiter, July 1932. Baritone with piano accompaniment.
Text by Alfons Petzold.

Der tote Arbeiter, July 1932. Baritone with piano accompaniment.

English text written under the German.
Text by Alfons Petzold 

Eing bukliger Waisenknage singt, August 1932. Soprano with piano accompaniment.
Text by Alfons Petzold 
On manuscript copy: "Meinem über alles geliebten Suserle von deinem Zeiserl Mai 33" [Suserle is Gertrud Zeisl].

Wanderlied, August 1932. Soprano with piano accompaniment.
Text by Alfons Petzold 
"Meinem geliebten Schnupserle zugeeignet".

Seit Du fort bist, October 1932. Soprano with piano accompaniment.
Text "Aus dem Chinesischen".

Kein Ton mehr klingt, March 1933. Soprano with piano accompaniment.
Text by Rudolf Paulsen.

Altes Reiterlied ["Soldatenlieder"], May 1933. Baritone with piano accompaniment.
Text by Klabund
There is only one song under the title "Soldatenlieder".
At the top of the first page "Altes Reiterlied" is written. [See also "Lied im Herbst" and "Polnisches Freiheitslied"] 

Lied im Herbst, May 1933. Baritone with piano accompaniment.
Text by Klabund.

Polnisches Freiheitsleid, May 1933. Baritone with piano accompaniment.
Text by Adam Mickiewicz
"Lied im Herbst" and "Polnisches Freiheitslied" may have been intended as part of the "Soldatenlieder".

Fuge, February 1935. Soprano with piano accompaniment.
Text from "Knaben Wunderhorn'.

Komm süsser Tod, January 17, 1938. Soprano with piano accompaniment.
Poet unknown.

Gigerlette, ca. 1925. Soprano with piano accompaniment.
Text by Julius Beirbaum.

Stille, 1938. Soprano with piano accompaniment.
Text by Marie Weiss.

Mir ist so Weh, 1938. Soprano with piano accompaniment.
Text by Rainer Maria Rilke.

Reterliedchen, 1938. Soprano with piano accompaniment.
Poet unkown 

Dieselbe, 1938. Soprano with piano accompaniment.
Text by Johann Wolfgang Goethe, "Mignon Lied', no. 3.

Ein Tanzchen, 1938. Soprano with piano accompaniment.
Text by M. Brelitz.

Untreue, 1938. Soprano with piano accompaniment.
Text by Joseph Freiherr von Eichendorff.

Ständchen, 1938. Soprano with piano accompaniment.
Poet unknown.

Sie hat mich verstossen, 1938. Soprano with violin obbligato and piano accomp..
Poet unknown.

From Issiah. Bible, unknown. Speaker and Soprano with piano accomp..
English text incomplete

Siet Du Fort bist
Ein Stündlein wohl vor Tag
Es spinnt sich ein
Stachlige Ballade

  Notes: All but the second song have clarinet cues.
"Seit Du fort bist" was originally written for soprano with piano accompaniment (1932);
"Ein Stündlein wohl vor Tag" was originally written for soprano with piano accompaniment.
It is published in the "Sechs Lieder" [see I. SONGS (published), no. 4/iii;]
"Es spinnt sich ein" was originally written for baritone with piano accompaniment (1926).
"Stachlige Ballade" appears to have no holograph or manuscript copy.
It is not clear what the instrumentation was for these four songs.

Seufzer der Sehnsucht (1931) [see no 33]
Die du so fern bist (1931) [see no 32]
Letzter Tanz. Ballade (1931) [see no 37]
Ein Stündlein wohl vor Tag [see "Sechs Lieder" no 3]
So regnet es sich langsam ein (1927) [see no 14]
Der Fromme (1931) [see no 35]
Der Weise [see "Sech Lieder" no 6]
Der Unvorsichtige [see "Sieben Lieder" no 6]
Der Briefmark (1931) [see no 26]
Der Schäfer [see "Sieben Lieder" no 5]
Stilleben [see "Sech Lieder" no 5]
Triumphgeschrei [see "Kinderlieder" no 2]
Grabschrift (1931) [see no 30]

Sweet at my window = Vor meinem Fenster ["Sieben Lieder," no. 1]
Forget me not = Vergissmeinnicht ["Sieben Lieder," no. 2] 
The Fiddler = Der Fiedler ["Sieben Lieder, " no. 4] 
The five little hens = Die fünf Hünerchen [Sieben Lieder, no. 7] 

Nightsong = Nachts [Sechs Lieder, no. 1]
Finis = Die Nacht bricht an [Sechs Lieder, no. 2]
An hour before the dawn = Ein Stündlein wohl vor Tag ["Sechs Lieder," no. 3]
The Cry = Schrei, ["Sechs Lieder," no. 4]
Still life = Stilleben["Sechs Lieder," no. 5]

Choral Works

Afrika Singt, ca. 1930. solo, chorus, piano, orch.

A. Arabeske; (Text : Frank Horne, Deutsches : Anna Siemsen)
B. Harlemer Nachtlied; (Text : Langston Hugues, German : Josef Luitpold)
C. Kyulila [Tante Sues Geschichten] (Text : Langston Hugues, Deutsches : Anna Siemsen)

Banger Abend, March 1931. A cappella choir [SATTBB} with soprano solo.

Three choruses on texts by Wilhelm Busch, April 1932. A cappella choir A & B [SSAATTBB], C [SSATTBB].

A. Es sitzt ein Vogel auf dem Leim;
B. Mich wurmt es sehr, wenn ich dran denke;
C. Sie war ein Blülelein hübsch und fein.

Kleine Messe, 1932. SATB soloists, mixed chorus.

Requiem Concertante, August 7, 1934. SATB solo quartet, mixed chorus, orchestra.

Spruchkantate. Fünf Sprüche für Orchester & Chor., September 1935. Mixed chorus and orchestra.
I. Spruch Angelus Silesius (= Spruch II);
II. Aus den Salomonischen Sprüchen. Passacaglia (=Spruch V);
III. Spruch Angelus Silesius (=Spruch IV);
IV. Aus den Sprüchen Salomos (=Spruch III);
Spruch Goethe (= Spruch I).
Zeisl made an English version of this work: "Cantata", which contains only four verses, corresponding to Sprüche II - V:
I. Silesius;
II. "Salomo";
III. Silesius;
IV. Song of Solomon.

3 [Drei] Frauenchöre (for a cappella choir), April 1935. a cappella choir.
A. Ohne Liebe was ist Menschen Leben;
B. Die Schönste aller Gaben, wär nicht geboren sein;
C. Was trägt die Gans auf ihrem Schnabel.
Dedication to Ernst Kanitz and have only the German text.
Several copies have English translations written in pencil.

Der 29 Psalm. "Herrlichkeit Gottes in Gewitter", October 1936.
Piano reduction SATB chorus, 2 fl (pc), 2 ob, 2 cl, 2 bsn, 4 hrn, 2 tpt, 3 tmb, tuba, perc., harp, string quintet, organ.

Three Choruses, A. February 18, 1938; B. February 25, 1938. SATB chorus.
A. In tiefem Schlummer;
B. Am Abend.

Requiem Ebraico. The 92 Psalm, 1944 - 45.
Four voices (or choir) and organ

Version for soloists, mixed chorus, and organ or piano.
Version for soprano, alto, and baritone soloists and orchestra (May 28, 1945)

Four Songs for Wordless Chorus, November 1948. Women's chorus, string orchestra (see notes also).
I. Lament;
II. Dance;
III. Evening Song;
IV. Halleluja.
The only piece with a title in both the piano version and the orchestral version (manuscript transparencies) is no. IV "Halleluja".
The title "Songs for the daughter of Jephtha" is omitted from the published scores.

From the Book of Psalms, Jan. 5, 1953 (orch.score), Dec. 18, 1952 (piano).
Tenor solo, male chorus, fl, ob, 2 cl, hrn, 2 tpt, tmb, harp, (or piano), perc., strings.

Solo and Chamber Music

Suite für Violine und Klavier, op. 2, 1919. Violin and piano.
I. Ziegeunerweise;
II. Scherzino;
III. Neapolitanische Serenade;
IV. Türkischer Marsch.

Die Heinzelmännchen Suite Für Pianoforte, ca. 1924. Piano.
I. Die Heinzelmännchen Suite für Pianoforte;
II. Prinz und Prinzesschen;
III. Aufmarsch der Heinzelmännchen;
IV. Kirchgang;
V. Hochzeit.

Suite für Klavier, Violine, und Violoncello, op. 8, ca. 1920 - 1924. Piano, violin, cello.
I. Praeludiem;
II. Adagio sostenuto;
III. Allegretto scherzando;
IV. Finale, Thema mit Variationen.

Erstes Streichquartett. D Moll, ca. 1930 - 1933. String quartet.
The indication 'Andante' at the beginning of the second movement has been crossed out in red pencil and 'Intermezzon' written in.
On the title page of the fascicle containing these two movements is written "Dem Galimirquartett in Bewunderung & Freundschaft
I. Allegro
II. Intermezzo
III. Scherzo
IV. Variationen über ein slowakisches Volkslied
V. Finale: Fugue 

Adagio aus der Sinfonietta, August, 9, 1938.
Trombone, divisi violas, cellos, and bass.

November. Drei Klavierstücke, November 1937/1938. Piano.
I. Langsam! religioso November 1 (All souls);
II. Lento Souvenir November 2;
III. Mässig Ein Regentag November 3;

Orchestral Version includes I-III and
IV. Lento mysterioso. Resignation; 22/01/38
V. Zart. Abschied; 24/03/38
VI. Stürmend. Herbsttanz; 24/03/38
VII. Heroisch. Sieg des Winters; 03/05/38
VIII. Frei im Vortarg. Hirtenmelodie.

Organ Prelude [from Job], June 1939. Organ.

Menuhim's Song [from Job], June 1939. Violin and piano.

Cossack Song and Dance [from Job], June 1939. Orchestra, singers, dancers.

Shepherd's Melody, 1938 (?) or 1940(?). Clarinet (or violin) and piano.

Souvenir, 1937. Bassoon and piano.

Greek Melody, 1936. Three B-flat clarinets.

Duckie's Dance, unknown. Three B-flat clarinets.

Schulmusik. A collection of instrumental pieces, 1940. Various instruments.
I. Slavic song; (Clarinet in B, Piano)
II. "The Good Old Time" (Menuett); (Bassoon, Piano)
III. Spanish Dance; (Flute, Oboe, Clarinet, Bassoon, Horn)
IV. The Hunt; (4 Horns in F)
V. "The Alamo"- a movement of Ancient History; (4 Trombones)
VI. On the Grave of Napoleon; (4 Trumpets in B)
VII. Chinese Princess; (4 Flutes)
VIII. Two Hedge-hogs; (Oboe, Bassoon, Piano)
IX. The Clarinet Players Penny Song; (4 Clarinets ib B)
X. Prelude and Fugue in F in the old style. (3 Trombones)

The Return of Ulysses. Incidental music, January 13, 1943. fl (pc), tpt, vln, piano, celesta, [harp?].
Act I. Introduction;
Act II, scene 1: Introduction; scene 2: March music; Dinner music; Music for the Song of the Old Singer; Love Music; Entrance Music to scene 3; Dream music.
Act III. Return of Ulysses; Entrance of Penelope.

Pieces for Barbara, 1944. Piano solo.
I. Walking with Daddy;
II. Mother is Sick;
III. On the Tricycle;
IV. The Teacher;
V. Fanfare;
VI. After the Battle;
VII. The Lonely Shepherd;
VIII. In the Factory;
IX. The Old Nurse;
X. Jack and Jill;
XI. Old Tale;
XII. A Spring Day;
XIII. Cradle Song.

Four Piano Pieces for Good Players, October 8 - November 10, 1944. Piano solo.
I. Summersaults;
II. The "Soldier";
III. A Bad Dream;
IV. Traveling With the Caravan.

Organ Prelude, October 23, 1944. Organ.

Sonata Barocca, 1948-1949. Piano.
I. Maestoso;
II. Andante religioso;
III. Allegretto;
IV. Grave;
V. Fugue.

Sonata for Violin and Piano, 1949 - February 4, 1950. Violin and piano.
I. Grave;
II. Andante religioso;
III. Rondo.

Sonata for Viola and Piano, 1950 (October). Viola and Piano.
I. Pesante;
II. Andante;
III. Passacaglia and Fugue.

Sonata for Cello and Piano, 1951 (June 7). Cello and Piano.
I. Pesante marcato;
II. Andante;
III. Rondo.

Second String Quartet in D minor, Begun February 20, 1953, completed May 5, 1953. String quartet.
I. Pesante;
II. Andante;
III. Scherzo;
IV. Finale (Rondo).

Triosuite ("Arrowhead") for Flute, Viola, and Harp, Begun July 30, 1956, completed August 22, 1956. Flute, viola, harp.
I. Allegretto;
II. Andante;
III. Finale.

Pierrot in der Flasche. Balletsuite, June 1929. orchestral and piano.
Zdenko Kestranek, Gustav Meyrinks
I. Vorspiel;
II. Zwischenspiel und Festmusik;
III. Orientalishce Liebesscene;
IV. Tanz der fliegenden Teufel;
V. Trauermarsch. Todestanz. Finale.

Marchensuite., December 1935. orchestral.

Five excerpts from Die Fahrt in Wunderland:
I. Introduction;
II. Roschens Tanz;
III. Tanz der Zwerge;
IV. Elfenreigen;
V. Gebet und Tanz der Irrlichter.

Romantic Comedy Suite, 1939 - 1940. orchestral.

From the opera Leonce und Lena:
I. Prelude;
II. Harlequine;
III. Riding South Through the Woods;
IV. Love Music;
V. Festival Music and Wedding Music.

Job. excerpts, 1939. orchestral.
I. Prelude;
II. Menuhim's Song;
III. Cossack Dance.

Suite Antique, November 17, 1943. chamber orchestra and piano.
Suite for Chamber Orchestra arranged from incidental music to the Return of Ulysses:
I. Introduction;
II. Dinner Music and Miniature March;
III. Antique Love Music;
IV. Ballet Music.

To the Promised Land, ca. 1948. orchestral and piano.
Suite for orchestra, from the opera Job:
I. Folk Dance;
II. Menuhim's Song;
III. Lullaby;
IV. Kuma Echa (Hora).

Little Symphony (Kleine Sinfonie), 1935 - 1936. orchestral.
I. The Madman / Der Wahnsinnige;
II. Poor Souls / Arme Seelen;
III. The Wake / Der Leichenschmaus;
IV. Expulsion of the Saints / Verteibung der Heiligen.

November., November 1937 - May 1938. orchestral.

German and English titles.
I. Langsam, religioso;
II. Langsam fliessend;
III. Massig. Ein Regentag;
IV. Herbsttanz. Sturmend;
V. Frei im Vortrag. Hirtenmelodie;
VI. Heroisch. Sterben des Somers.

Piano Concerto on C Major, begun September 1951, completed October 5, 1952. piano and orchestra.
I. Moderato Maestoso;
II. Andante con moto;
III. Pesante.

Concerto Grosso for Cello and Orchestra, 1955- 1956. cello and orchestra.
I. Pesante Moderato;
II. Scherzo;
III. Theme and Variation.

Passacaglia fur grosses Orchester. E flat minor, October 1934 (1933 on cover). orchestral.

Scherzo und Fuge fur Streichorchester, 1936 - 1937.

Variationen uber en slowakisches Volkslied fur Str, 1936 - 1937. string orchestra.

Fanfare (for Stokowski), June 27, 1945. brass choir and percussion.

Music for Christmas, December 1950. orchestral.

Dramatic Works

Die Sunde. Oper in einem Aufzug, 1927 - 1928. piano/vocal.
Text : Gretl Buxbaum

Pierrot in der Flashe, 1929. intended for orchestra and tenor solo.

Ballet derived from an idea by Gustav Meyrink.

Die Fahrt in Wunderland, a Volksoper, 1934. orchestral, piano, and voices.
I. Vorspiel;
II. Hampelmann Lied.

Leonce und Lena, November 8, 1937. orchestral.
No. 1 Vorspiel
No. 2 Vorspiel II. Akt 

Job. Opera in three acts (incomplete), 1939 -. orchestral.
I. Prelude to Act I = organ prelude;
II. Beginning of Act II = Cossack Dance;
III. Act II, scene 2 Prelude.

The Return of Ulysses, January 13, 1943. fj, tpt, vl, celesta, piano, [harp?].
I. Introduction.
II. Scene 1. Introduction. Scene 2. March music; Dinner music; Music for the Song of the Old Singer; Love music; Entrance music to scene 3; Dream music.
III. Return of Ulysses; Entrance of Penelope.

Uranium 235. Ballet, 1945 - 1946. orchestral and piano.
I. Prelude;
II. Prelude to scene 2.

The Vineyard. Biblical Ballet, August 17, 1953 (piano); Novemeber 9, 1953 (orch). orchestral and piano.
Also called Naboth's Vineyard.

Jacob and Rachel, September 3, 1954. orchestral, speaker, singer (baritone).