The Citadel of Concentrationary Music
Campus of Music Sciences
Multimedia Music Library
Museum of Regenerated Art
Nuovi Cantieri Theatre
International Bookshop of the 20th century
Aula Magna, Campus Park
Bistrò
The Campus of Music Sciences will cover an area of approx. 1,150 square meters, it will offer spaces for research, study, reading and updating directed both to concentrationary and Jewish music; in the same site, the Historical Archive of Composers from Barletta will be located, educational activities of instrumental practice will be also located at the Nuovi Cantieri Theatre.
In the Campus, both activities of the Master of Concentrationary Music Literature and Emanuele Pacifici National Jewish Music Hub including two Departments (Triennial Course of Jewish Music Literature and Study Center of Hazanut in Continental and Mediterranean Europe) will take place; there will be located the Aula Magna, a pipe organ will be built into.
As a classic landmark of great libraries and museums, a Park and a kasher Bistrò under rabbinical surveillance with 72 seats will be established.
The Master of Concentrationary Music Literature is a Master of high–level historical and artistic education based on the music written in civil and military captivity from 1933 to 1953.
The Master program is structured in two years (1st and 2nd level), is held by Francesco Lotoro and renowned teachers, it will propose to the Ministerial accreditation and contains two addresses:
• Musicological address. Study after ways of concentrationary music according to the historical, aesthetic, formal point of view, a final dissertation;
• Organological address. Study of instrumental, solo or ensemble repertoire, a final examination in a form of recital or staging.
Emanuele Pacifici National Jewish Music Hub is dedicated to the Italian historian and witness of the Holocaust Emanuele Pacifici (1931 – 2014) and it is an advanced project of recovery, preservation and storage of Jewish music that is the body of religious, popular and traditional music created and handed down by the Jewish people both in its historic land of Israel and in the Diaspora; the heirs Pacifici donated to the ILMC Foundation papers, publishing, phonographic and recording heritage by Emanuele Pacifici, this heritage will be mastered, catalogued and made accessible.
The Hub will develop fundamentally on the following headlines:
a. ethnomusicology and biblical organology, musical traditions of the Diaspora
b. Jewish liturgical music and vocal repertoire from the Jewish renaissance of San Nicandro Garganico
c. music from Beta Israel and Jews of Djerba, Uganda, Libya, Birobidzhan, Kaifeng
d. musicological work by Avraham Zvi Idelsohn, Leo Levi, Elio Piattelli, Emanuele Pacifici
e. repertoire and praxis after Jewish classical music in Europe on 17th century
The Triennial Course of Jewish Music literature is a Department of the Hub, it focuses on the study of Jewish music phenomenology (related to tradition, creative diversity, artistic ways), it will propose to the Ministerial accreditation and contains two addresses:
a. Research address. History, theoretical, phenomenology and development of the Jewish musical thought;
b. Performance address. Access is allowed to qualified musicians in any musical discipline, the teachers could request an entrance examination; the purpose is also to establish some chamber or voice groups, some hours of praxis should be added to the study plan.
The Study Center of Hazanut in Continental and Mediterranean Europe is a Department of the Hub, it aims to recover and preserve the hazanuth that is the art of cantillation of Hebrew texts created by the Jews around the countries of continental Europe as so as European, African and Asian countries bordering the Mediterranean Sea; the purpose of the Study Center is the retrieval and analysis of phonographic items as so as autograph or anastatic copies of Hebrew liturgical codes in order to restore the heritage of the hazanuth.
The hazanuth developed in the sinagogues during the 14th century; around 1620 the singer or hazan acquired a leading position, a pleasant voice in the eastern sense (tenor voice with a nasal timbre), training in vocal coloratura (the hazanuth is characterized by virtuoso fantasy), versatility and originality of improvising ways and traditional rhythms was requested to him.
The Historical Archive of Composers from Barletta is an advanced project of research, publication, staging and performance of some works written by some composers born in Barletta from the Renaissance to the 20th century that is:
a. Works by Giovanni Leonardo Primavera, Giuseppe Curci, Renato Virgilio;
b. Works by Vincenzo Gallo, Antonio Gallo, Giuseppe Fanciulli;
c. Works by Giovanni Petrucci, Daniele Varola, Raffaella De Nittis, Giuseppe De Leo and others.
Further items by composers from Barletta, Oreste Gardini, Roberto Curci, Giuseppe Mascia, Emanuele D'Abundo, Sebastiano Gazia, Michael Gissing, Ettore Pappalettera will be located at the Archive.
Multimedia Music Library
Library, Sound Archives, Video Library, Newspaper Library Music
Thesaurus Musicae Concentrationariae, research and editorial production Staff
Berto Boccosi Music Archive
As a summa of concentrationary music research, the Multimedia Music Library will cover an area of approx. 2,720 square meters and will contain the items of the ILMC Foundation, which consist of:
• 8,000 scores;
• 12,000 documents concerning music created in captivity (microfilms, prison diaries and musicbooks, mechanographic recordings on audiotape and videotape, vinyl records currently under burning);
• 1,300 volumes of scientific and theoretical literature on the matter, publications and essays;
• 200 hours of interviews to survived players and composers.
The Music Library consists of wide reading and consultation rooms, departments of autographs analysis, research locations and guesthouse, it will provide all the services of non–fiction and documentary and will host publishing work, conferences and meetings with culture and art people; manuscripts and documentation items will be produced in accessible formats.
The Sound Archives will contain the CD–Encyclopedia KZ Musik and other recording items.
The Video Library will contain footage shooting by film crews from Third Reich, Red Cross and Allied troops about the musical activity in the Camps as well as some interviews to survived musicians.
The Encyclopedia Thesaurus Musicae Concentrationariae in 12 volumes and 2 DVD will be published in 2022 in four languages (Italian, English, French, German) and it will be the most advanced stage of research of concentrationary music, work plan as follows:
volumes I, II, III. History and historiography of concentrationary music literature from 1933 to 1953;
volume IV. List and analysis of concentration camps headquarters of musical creative activity from 1933 to 1953;
volumes V, VI, VII. List and biographies of the composers who produced in captivity from 1933 to 1953;
volumes VIII, IX, X, XI. 600 scores written in civil and military captivity from 1933 to 1953;
volume XII. Synoptic tables, analytical index of music both by Camps and Authors, bibliography, discography and filmography, DVD 1 containing recordings of the works published in vols. VIII, IX, X, XI, DVD 2 containing a wide range of interviews to survived musicians.
Around the Thesaurus Musicae Concentrationariae, a research and editorial production Staff of researchers, academics, historians, musicologists and musicians of international standing is operating; among the works already published, the CD–Encyclopedia KZ Musik, Quaderno di Storia concentrazionaria, the album Brundibàr, Fonte di ogni bene [Canti degli ebrei di San Nicandro Garganico], Renato Virgilio [Vita e opere di un musicista], Weihnachtsoratorium by F. Nietzsche, piano reduction and booklet of the opera Misha e i Lupi by F. Lotoro, Antologia Musicale Concentrazionaria.
The Berto Boccosi Music Archive will collect the musical heritage of the Italian composer Berto Boccosi, the items of which the ILMC Foundation has the task of preservation and promotion.
Berto Boccosi was born in Ancona on 1910, 27th of March and died in Falconara on 1985, 27th of March, he was Infantry captain during the Second World War; captured by the Allies during the Campaign of Africa, in 1942 he was transferred to the French POW Camps of Gabes (Tunisia) and Saïda (Algeria).
After the War he continued to compose, among his works La Lettera Scarlatta (partially scored during the captivity in Saïda) and Piccola Rondine, the concerts for piano and orchestra La Fontana Incantata and Concerto di mezzanotte a Venezia, the symphonic works Diario di guerra e prigionia e Diario di Anna Frank, the piano works Rapsodia (scored during the captivity in Gabes) and Sonata Ciclica.
Museum of Regenerated Art
Exhibition of musical manuscripts written both in civil and military captivity
Exhibition of musical instruments recovered from the concentration Camps
Phonographic Archive
The Museum of Regenerated Art will cover an area of approx. 850 square meters and will offer space to the heritage of scores, musicbooks, documents as so as photos, instruments, video and audio items recovered by Francesco Lotoro; it will be as a cultural pole of concentrationary music research able to move to the pleasure of the discovery of an almost unknown art scene.
The Nazism, as a political movement turned to an ideology comprehensive of some cultural and artistic aspects of German society, conceived the expression Entartete Musik (Degenerate Music) similarly to Entartete Kunst (Degenerate Art); modernist musical currents, which were innovative of music language (dodecaphony, jazz, musical) or revolutionary in regard of the symphonic and operatic tradition were branded as Entartete Musik, under censorship of the Reich fell both Jewish composers such as Hanns Eisler, Ernst Krenek, Arnold Schoenberg, Franz Schreker, Kurt Weill and not Jewish composers such as Béla Bartók, Paul Hindemith, Igor Stravinsky, Anton Webern.
The measures of Reichmusikkammer were retroactively applied to Alban Berg (deceased in 1935) or even Felix Mendelssohn–Bartholdy; in 1938, on the occasion of Reichsmusiktage in Düsseldorf an exhibition of Entartete Musik (later replicated in Weimar and Wien) was showed.
Today, less than one century from the monstrous conception of the Degenerate Art, we overthrow this pseudo–artistic vision gained from Reich by means of the inauguration of a Museum of Regenerated Art.
The Museum will promote the knowledge of music written in captivity, will help people to rediscover a whole generation of composers, will organize exhibitions, conferences and study projects in collaboration with cultural institutions, schools, universities; instruments built in captivity or there used as so as photo items related to musicians and music performances in the Camps will be exhibited, some biographical notes, works list, anecdotes concerning each musician will be reported.
In the Museum a huge Phonographic Archive accessible via headphone will be located; some spaces with maxi–screens and seating will be dedicated to the continuous vision of video items for schools and organized groups.
Nuovi Cantieri Theatre
Concert, Symphony and Theatre production
Musica Rigenerata Concentrationary Music Festival
Long live to life! Youth theatre after the Memory of Arts
Nuovi Cantieri Open Outdoor theatre
The Nuovi Cantieri Theatre will cover an area of approx. 310 square meters and it will be equipped with 212 seats on two levels, orchestra pit and stage mt. 8x7 located in a scenic tower (former distillation tower) high mt. 17; the Theatre will be mainly dedicated to production, performance and staging of the musical repertoire created in civil and military captivity from 1933 to 1953.
The Theatre will be equipped with audio–video recording area and sheet for film screenings; as a flagship of the Citadel, the outdoor theatre Nuovi Cantieri Open in an covered area of approx. 300 square meters and 150 seats will be established, to be used for conferences and recitals.
Performing and promoting concentrationary music is one of the most important goals of civilization.
This will be the mission of the Theatre; in view to this, Musica Rigenerata Concentrationary Music Festival and the Youth theatre after the Memory of Arts Long life to life! will be organized.
The Theatre will approach anyone to the tragic events of Second World War and humanitarian catastrophes caused by Nazi–fascism and Stalinism never with a commemorative approach but a constructive one; this approach will be able to catch the most moving aspect of the history of the concentration Camps that is the musicians' ability to write in inconceivable situations a peerless Testament of the human intellect and the heart.
International Bookshop of the 20th century Bookshop Educational workshop & Lounge for book presentations The International Bookshop of the 20th century will cover an area of approx. 520 square meters corresponding to the settling basins of the former Distillery with a large editorial, recording and publications offer on concentrationary music as so as on the music production of 20th century, First and Second World War, Cold War, State of Israel, etc., until the contemporary. In the Bookshop an educational workshop for schools and organized groups will be located; the Bookshop will also be useful to conferences and book presentations.
CONTACTS
Fondazione Istituto di Letteratura Musicale Concentrazionaria
via V. Marone 38/C
76121 Barletta
ITALIA
phone +39 0883950639 mob. +39 3402381725
info@fondazioneilmc.it
musicaconcentrazionaria@fastwebnet.it
president Francesco Lotoro
vice–president Grazia Tiritiello
secretary Daniele Barchetta
in charge of archives Paolo Candido
in charge of administration Roberto Piccolo
in charge of museum Ermanno Tedeschi
foreign delegates Alexandre Valenti
Robert Dahlan Foah
In order to support the ILMC Foundation in the works of construction and operating of the Citadel, everyone is invited to make a donation to the following bank account:
BANCO BPM
IBAN: IT69 B 05034 41350 000000002020
SWIFT: BAPPIT22