Max Kowalski, Opus 5|
Suzi More & Victoria Griswold
© Copyright - Public Domain / Lilredhen (885767413344)
Release Date: 2012
Max Kowalski(1882-1956) was born in Kowal, Poland. His family moved the next year to Frankfort, Germany, where he grew up, studied and earned Doctorates in both Music and Law (his specialty was Copyrights). His teacher of compostition was Bernhard Sekles and voice, Alexander Heineman. In Germany from 1913 till 1931, Max Kowalski was a prolific composer of beautiful lieder in the Romantic style. Although he was Jewish, Max Kowalski wrote music of all styles and genres, from Japanese, Chinese, Danish, Arabic, French and that of many great German authors, he even wrote a Marienlieder in his Opus 12. He was friend to many other composers, artists and performers and every song cycle he wrote was quickly published until Adolf Hitler and the Third Reich took over the country. In the late 30's Kowalski was very involved with the "Kulterbund" in Frankfort, Germany and his music continued to have popularity in their orchestral concerts. He is mentioned and highlighted by his presence at the last Kulturbund concert(1938) in Martin Goldsmith's book entitled "The Inextinguishable Symphony". By the end of 1938, Kowalski was arrested and spent time in Buchenwald but within a month he was released and he fled to England where he spent the rest of his life teaching voice, singing in a Synagogue and making a humble living. Although no music of his was ever published again, he kept writing new works, 17 new song cycles in manuscripts which singers performed in concerts and on radio. Opus 1 is his first composition dated 1913 and first published by Leukart in Germany. It had been out-of-print many years until Dr. Walter Foster of Recital Publications in Huntsville, Texas took up the committment to bring as many of Max Kowalski's song cycles to the public as possible. So far, 11 of his 17 previously published cycles have been reprinted.
A New Jersey native, Miss More has performed extensively throughout the
United States and abroad. She has been soloist and has appeared in
numerous operatic roles performing with the Festival Chorus of New Jersey,
the Masterwork Chorus and Orchestra, Orpheus Chamber Singers, the
Plainfield Symphony, Ars Musica Antiqua, the Garden State Chorale, the
State Repertory Opera, Jersey Lyric Opera, Choral Baccarelli (Sao Paulo,
Brazil), the Academy of Vocal Arts Opera Theatre (Philadelphia, PA),
Montclair Chamber Orchestra, and numerous others. In 1989, she was the
award-winning collaborator along with composer Loretta Jankowski, of a
song cycle entitled Phoenix, published internationally by Boosey & Hawkes,
in December 1993. The work, featuring Ms. Morehead, was presented at both
the Los Angeles, California (1989), and Little Rock, Arkansas, National
Association of Teacher's of Singing (NATS) conventions. Under auspices of
the United States Embassy, Ms. Morehead toured Brazil.
She is a recipient of several Lila Wallace/Reader's Digest Incentive Grants, for performance and research. She is a member of the National, New Jersey and New York Chapters of the National Association of Teachers of Singing, as well as a composer of jazz, folk and children's songs. Her voice teachers and coaches include Franco Rossi-Roudett, Terrence Shook, Helen Fenstermacher, Chloe Owens, Daniel Ferro, Marlena Malas, Dorothea Discala, Frank Valentino, Deborah Taylor, and Dolores Cassinelli. She has appeared in master classes with Elly Amelling, Jerome Hines, Judith Raskin, and Dalton Baldwin. Ms. More holds a B.A. degree from Rutgers University, M.A. degree from Jersey City State College, and pursued studies at the Academy of Vocal Arts, in Philadelphia, and New York University. She has worked as voice teacher, chorus director and Orff specialist at the Newark School of the Arts for over 25 years as well as taught several years in the Passaic School district as music specialist.
Victoria Griswold is a classical pianist who has concertized in Europe,
Brazil and throughout the New York metropolitan area. At her debut recital
in NYC, one reviewer characterized her as "an elegant pianist." She
received her Bachelor and Master of Music degrees from Manhattan School of
Music. In Europe she recorded new works of William Thomas McKinley with
such orchestras as the Warsaw Philharmonic, the London Symphony Orchestra
and the Royal Liverpool Philharmonic. She is currently working on a
recording of piano music by women composers.
Her musical background also includes appearances as pianist and Music Director for professional musical theatre productions, Music Director and harpsichordist for Ars Musica Antiqua, and early music ensemble and as church organist. She also served as staff accompanist at New Jersey City University for six years.
Ms. Griswold taught piano for 30 years in her private studio and has adjudicated many young people's competitions and auditions sponsored by such organizations as the New Jersey Symphony, the Livingston Symphony, the Music Educators of New Jersey, the Andrew DeGrado Foundation and the New Jersey Music Teachers Association. Victoria Griswold is also the ower of the Plainfield Music Store, a retail establishment specializing in printed music.
The onsite and studio recording as well as mastering were done by Max Caselnova of Clearcut Recording Studio, Garfield, New Jersey.
Song Lyrics and Translations
Am Waldsaum lieg ich im stillen. rings tiefe Mittagsruh,
nur Lerchen hör ich und Grillen und summende Käfer dazu.
Die Falter flattem im Kreise, kein Blatt rührt sich am Baum,
die Gräser beugen sich leise, halb wach ich, halb lieg ich im Traum
1. Noon time Quiet.
On the forest fringe, I lie in the quiet, deep calm of a still noon.
I hear only the larks and crickets and also a beetle chirping.
The moth are fluttering in circles,.not a leaf moving on the tree,
the grasses bow softly, I am half awake and half in dream.
Goldgewölk und Nachtgewölke regenmüde still vereint!
Also lächelt eine welke Seele, die sich satt geweint.
Doch die Sonne sinkt und ziehet nieder alle eitle Pracht,
und das GoIdgewölk verglühet und verbrüdert sich der Nacht.
Golden clouds and Night clouds weary of raining, still together!
As if the tired soul Has finished it’s tears.
But the sinking Sun has drawn down all vain glory,
and the Golden clouds diminish to join the night.
StilIe ruht die weite Welt, Schlummer füllt des Mondes Horn,
das der Herr in Händen halt Nur am Berge rauscht der Born_
zu der Ernte Hut bestellt wallen Engel durch das Korn.
3. Midsummer Night.
StilI rests the wide world, Slumber fills the Moon's horn.
Held in the Lord’s hands as In mountains when Spring is near
As if ordered to watch over the harvest
Sweet angels through the grain appear.