Warner
Seelig-Bass was born in 1915 in Brandenburg an der Havel, Germany, the son
of Eugen Seelig and Helene Bass. His father was an engineer and founder of the
factory Spingal and Seelig, which produced electrical motors. After completing
his secondary studies at the Saldernsche Gymnasium (Saldria), he attended the
University of Berlin, where he studied music and theater studies, philosophy,
and foreign languages. He also took classes at the State Academy for Music (Staatlich-Akademischen
Hochschule für Musik), also in Berlin. There he majored in conducting, while
studying piano and composition. In 1930 Warner Seelig-Bass became the assistant
conductor and composer of stage music for the Kassel State Theater, a position
he held until he was dismissed in 1933 for being Jewish. He then became
conductor for the Jüdischer Kulturbund Theater, where he conducted both
symphonic and operatic performances. In 1938 he emigrated to the United
States by way of Cuba, and settled in New York. There he became known as
Warner S. (Seeley) Bass. In 1941 Warner S. Bass married the Polish-born singer
Marion Koegel, who performed in the United States under the name of
Marion Corda. Marion Koegel was born in Poland in 1909. Like her husband, she
had studied music in Berlin and been a member of the Jüdischer Kulturbund,
where she performed popular and folk songs. Warner Bass was called to military
service in 1943, eventually heading a military orchestra that performed in
Europe for both the armed forces and civilians. After the war he toured Europe
as part of the United Service Organization (USO), performing in various areas of
the world, including Japan, the Soviet Union, East Germany, Australia, New
Zealand, Hong Kong, the Phillipines, and South Africa. Following the war, Bass
spent several more years traveling, taking positions as a guest conductor as
well as an accompanist to solo performers. His appearances as guest conductor
included directing the New York Philharmonic, the NBC Symphony of the Air, and
the Detroit Opera. As a pianist, Bass worked with Jan Peerce, Roberta Peters,
Grace Moore, Marta Eggerth, and Jan Kiepura, as well as his wife, Marion Corda,
among others. In addition to his work as a conductor, he also worked as an
orchestrator and arranger for RCA Victor. In 1962, Bass became Associate
Conductor of the American Symphony Orchestra under Leopold Stowkowski. The
American Symphony performed two of Bass's own compositions: his "Adagio (Taps)
for String Instruments, Trumpet, and Percussion," written in memorial of John F.
Kennedy and directed by Bass in Carnegie Hall, and his "Song of Hope," which was
played under Stowkowski's direction. In the mid-1960s Bass began working as a
professor of music. In 1965 he was appointed a visiting professor at
Southhampton College on Long Island. Two years later he was an associate
professor of music at New York University's College of Music. While teaching he
also began working towards a degree in music education, and received his M.A.
from New York University in 1969. That same year he became a professor at CUNY
Kingsborough College, a position he held until his death. Warner Bass won
recognition for his work both as a professor and a composer. In 1966 he was
elected to the American Society of Composers, Authors, and Publishers (ASCAP).
He was awarded the title of Outstanding Educator of America twice, in 1971 and
1972. His biography also appeared in various biographical dictionaries. Warner
S. Bass died in 1988. His wife, Marion Corda Bass, died in 2000.
i) Compositions | |
Alone | 1979 |
Bühnenmusik zum Lustspiel: "Der widerspenstigen Zähmung" | undated |
Compositions - Day's Affirmation | 1951 |
"Fritz Bollmann" Vorspiel und einleitende Chorszene | 1925 |
Kleine Musik für Streichinstrumente | 1934 |
Lalaï | 1927 |
Larghetto for Oboe Solo and String Orchestra | 1947 |
The 96th Psalm | undated |
Potpourri of Variations on a Theme by Offenbach | undated |
Prolog zu einem Puppenspiel | undated |
Quartet for String Instruments Based on Army Bugle Calls | undated |
Serenata Concertante for Solo Viola and String Orchestra | 1965 |
Sonatinas | 1973-1978 |
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Sonatinetta for Trumpet and Piano | 1977 |
Song of Hope | undated |
Song of Hope: Overture and Fugue for Orchestra | undated |
Song of Hope: Overture and Fugue for Orchestra – With Notes | undated |
Sophokles' Antigone | 1926 |
Die spanische Tänzerin | 1937 |
"Taps" Adagio for String Orchestra | undated |
Three-part Fugue on a Theme by Offenbach | 1969 |
Instrumental – Barcarole | undated |
Instrumental – Concerto for Saxophone and Orchestra by Alexander Glazounov | 1979 |
ii) Arrangements and Orchestrations | |
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Marion Corda Repertoire | undated |
With Lyrics – Arrangements of Classical Songs | undated, 1954, 1970 |
With Lyrics – Christmas Carols | 1953 |
With Lyrics – Cum Natus Esset By Paul Hindemith | 1941-1952 |
With Lyrics – Echoes of Old Vienna | 1958 |
With Lyrics - Five Religious Songs by Arthur Peter Perleberg | 1964 |
With Lyrics – folk songs | undated |
With Lyrics – folk songs – German, Austrian, and Swiss | undated, 1943 |
With Lyrics – folk songs – Yiddish and Hebrew | undated |
With Lyrics – Hebrew Songs | undated |
With Lyrics – National Anthems | undated |
With Lyrics – Old Mother Hubbard | 1947 |
With Lyrics – Pietà Signore! | 1947 |
With Lyrics – Poema en forma de canciones | 1958 |
With Lyrics – Sound the Trumpet! | undated |
With Lyrics - General | undated, 1944-1977 |
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iii) Transcriptions | |
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iv) Other Works | |
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With Lyrics | undated, 1979 |
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